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Our featured artist is Théa Chesley (that's "tay-uh"), or "Momma-T" as she is affectionately known by some pwlfers. Who is Théa Chesley? A few words from her chapbook, Still in Violet...after all these years gives us a glimpse: Beyond those words, Théa is a Central Illinois poet and a would-be novelist who hasn't yet finished a novel. She has been writing since she was big enough to depress the keys on a vintage Remington typewriters - (her grandfather's mid-1920's which she still has). Her poetry influences include Walt Whitman, Allen Ginsburg, Charles Bukowski, Emily Dickinson, and contemporaries David Budbill and Wendy Cope. Three chapbooks of original poetry are available -
Théa works as the one and only librarian for the Illinois Department of Public Health. Her spare time - what little she has - is occupied by The Illinois Central Blues Club, her cats (Little Sangamon and the Fox, both named after rivers), the infamous Damien The Anti-Dog, home ownership, and harmonic-playing Joe Russell. What would Théa like you to know about her? "I support public radio, live music, and conservation, humane, and wildlife organizations. I often walk instead of driving. I recycle ferociously. I have never bowled, I have tattoos." We hope you enjoy her poetry as much as we do.
picnici forgot to bring sunglasses so i couldn't face the glittering lake and sundrenched skies
indoors i thought i could avoid bedazzlement but far brighter, bluer and more scintillating were your eyes 8/31/98 (from Still in Violet After All These Years, 2000)
rendezvous, Rue de Ursulinesyellow crescent moon tumescent over Crescent City, waxing, like my wanting
more potential voodoo than a full moon could have conjured crawls out of the spreading shadows on Orleans Street like a monster cockroach from your worst apocalyptic dream as sun sets over clean, suburban Metairie where they have no idea what is happening here
saturated air, as close as personal history carries ominous, mysterious portents that inspire objectless anticipation like an itch i can't quite reach -- unfulfilled old longings recollected suddenly; desire long sublimated rising in me like a primal moan
i walk the cobbled cracked uneven sidewalks of the Vieux Carré too tempestuous inside to sleep; a crucial thing is missing, i am negatively charged my shadow catches up with me, then reaches for the unknown that's ahead but aren't you afraid to go out walking there at night? no; especially not tonight. i am invulnerable, somehow: i walk and others step aside to let me pass -- bleached blond gay in leather chaps and little else and shoeshine boy on Bourbon Street who'll bet a buck that he can tell me where I got my shoes and whores of all kinds understand that i'm not buying -- what i'm looking for is no thing that they've ever even had to sell and maybe isn't of their Earth
i want to see your forehead and your cheekbones pink with sunburn and the neon of a beer sign; your jaw and straight, strong nose like burnished bronze in candleglow your eyes darkened by passion, deep and black as interstellar space glittering with constellations of reflected flame and possibilities of travel to new, unimaginable worlds
like any thing of quality the journey just requires time
time with you is what i haven't had
time without you telescopes, distorts: i want it to be over i want to start Time over now with you, expanding, just until the universe we know will fill a second-storey room-and-bath with balcony French doors thrown wide to admit the heavy salty humid air, laden with the fragrance of fresh-baked D'Or croissants the clip-clop of the tired carriage horses on the paving bricks, the murmuring of tourists much too self-absorbed to hear their driver telling them that where I would lie touching you, this sanctuary thirty feet above them was, once, long ago, a convent
i believe this passion is divine as any that inspired this room's historical inhabitants in the deepest reaches of their souls
being in this room alone feels wrong, discordant, incomplete; yet i've no faith or reasonable hope that i will find you here that you will give me Time
i stand before a storefront on Decatur Street the sun has risen over herons, hermit crabs and egrets, bayou grasses, damselflies and water striders i have walked, but now am motionless and contemplating severed snake and alligator heads, Mardi Gras masks, colorful cheap trinkets, Catholic icons, mudbug t-shirts: do ya eat da tails? do ya suck da heads? don't be shy about extremes here
and i'm not afraid to think, or say, or do whatever it takes, either to effect desired destinies
did Ruthie rollerskate behind me just then on the sidewalk? did you just walk into Café DuMonde -- alone? we perceive -- believe -- what we most want and Love Potion Number Nine will work on you if you can be persuaded
powders, potions, poultices and leathers, metal, fur and feathers, wands and stones, chalices and amulets -- the ju-ju of old cultures and the newest: virtual cyberpunk playrooms, batteried, electric and inflatable devices, latex products in the shapes and colors of all fantasies
you can get them here
but that isn't how i want you -- not compelled by magicks of the supernatural or supermarket -- you will come to me when you want me
so i won't stroll toward Café DuMonde now if you won't tell me yes right now i will forego the answer until later
you know i am staying at the convent -- alone 7/21/97 (from Still in Violet After All These Years, 2000)
LOVE POEMthis old ford van the engine rumbles the heater hums the windshield splats with intermittent rain
cannonballing crackers trade directions jackjaw drawl and twang over white noise on the cb
the road tumbles open up ahead between ribbed black flooded fields like a worn-out grey wool bedroll getting ready
swollen creeks reflecting greyed-out sky wind through bristling wet black undergrowth like runnels of come through cunt hair
self-contained my friend smokes drives and prattles i say yeah sure nod when necessary
and daydream of balling you 11-26-85, 12-16-85, 4-22-89, 6/21/93, 7/8/93 (From ...And Tattooed, 1996)
mercury poisoninguntrue to its nature, mercury remains steadfast on course, this time: full speed astern.
almanac, ephemeris and common sense all notwithstanding (they say it is moving forward now), my whimsical controlling planet mercury affects adversely all of my communication, travel, work.
forward motion is not possible: i’m stuck on stupid in errands and love, tasks and public relations;
i start and restart hanging computers,
play phone tag through overtime,
sit in gridlocked traffic (every route: lanes closed or detoured, Work Zone with a rough grooved surface or the dreaded BUMPs --I cannot drive a straight line from my home to work),
wait for slow freight trains to pass, (unable to call out on a locked cell phone that just won’t unlock)
and listen all the while (through static on the radio) to nothing but silence from you.
July 2000
like Sunday morning6 AM they hose last night off all the sidewalks and the balconies: heads up! i join you in the steamy shower
smelling Luzianne on I-10 quaffing chicory-laced coffee with sugar-dusted beignets Cinnabon and Starbuck's on your morning breath (you take mine away)
clear blue noonday sky unfathomably deep as your astute, attentive eyes muffalettas at the fountain gumbo, sausage, rice, red beans pralines an oyster po'boy, stained the red of McIlhenny's best your horseshoe sandwich sauce (its secret is Tabasco, too)
Sno-Balls from a cart on Poydras Street attenuate the heat we share Hawaiian Shave Ice at The Fair
drafts of ice cold Jax, in go-cups strolling out on Bourbon Street swigging longneck Bud Lights from the cooler in your bass boat on the lake gator hunters poling johnboats on the bayou fetid swamp but also bougainvillea, azalea your spicy bay rum aftershave
full moonrise on the Moonwalk exotic, although tankers and banana boats, oceangoing ships with winking colored lights harbor in redolent Gulf air the tang of salt i taste on your flushed skin crawfish etouffé burns on my lips like your impassioned kiss delicate at first, delicious, then delivering a wallop i cannot forget
drops of brandy gleaming on your moustache condensation shines on cobblestones in streetlight overlaid with lacy grillwork's shadows the sudden rasp of your unshaven chin unexpected on my skin where layers of lace have parted at your insistence
neon, chasing marquee lights and action all night long cool jazz, wailin' red hot blues and swingin' dixieland cajun, Zydeco and Texas swing -- patois not only of language but of music, too our secret favorite by The Commodores a slow dance in your darkened room
Spanish moss embraces trees your limbs entwine with mine in sleep
i miss you like i miss N'awlins, darlin', when i have to be away you both whet and satisfy so many appetites
9/9/96, 9/13/96, 9/20/96, 10/15/96 (from Fade to Blue, 1997)
how i want to be with youi want to be with you
as the sharp-shinned hawk, poised on a lichen-jewelled deadfall
is with the fallow deer who glides, cautious, into the same dell:
neither one the other's predator or prey
but, for a moment, eyes locked in intense communion, fellows in this perfect peaceful place, free of fear and wanting nothing
i want to know, when our moments are no more, that you were the one that i loved best, because, though not untouched, you came freely to me and went away unharmed
12/17/84, 12-16-85, 11/20/92 (From ...And Tattooed, 1996)
another poet (a cautionary tale)Though you might find yourself
spiraling into his smoky hazel eyes ringed with the wrinkles of his forty-something years that radiate when he smiles
wondering if his full brown lips are soft and kiss with as devastating effect as they enunciate well-selected words
leaning into the nimbus of his fragrance not so much cosmetic as a personal olfactory message in a primordial language your hindbrain and your belly comprehend
Though you might lose yourself
in his timbral not-quite-Texas intonations in the undulations of his long-fingered hands in the air in your own response to his one accidental touch
barely breathing, so lack of oxygen will intensify your self-induced hallucination
and eager beyond sense you will take the only appropriate action
You must not sleep with this man
he will have guns over under and beside his bed
his lanky hyperactive german shorthaired pointer bitch will wet you with her nose at five minute intervals all night for taking her accustomed place beside him
his clock radio will awaken you with Rush Limbaugh not Bob Edwards
his kitchen will have no coffee pot
and finally he will write a poem about how you snore (with thanks/apologies to J. and selected others) 12/9/95 (From ...And Tattooed, 1996)
dr. heisenburg is on his way but not sure when he'll get herethe door you use to make your exit opens onto my back yard but could be a wormhole to another universe
you are a distinguished visiting professor of the physics of uncertainty
i can't know your speed, direction and location at the same time or your nature: are you solid or a trick of light and shadow? i can't calculate the instant when you'll next be tangible to me
despite accepted theory i fear that you have significant existence while i can't observe you
if there's no reality until the human mind creates it why can't i invent a better one with you? 3/8/97 (from Fade to Blue, 1997)
in a pig's minds eyethere is no pig word for the concept introspection yet pigs think enough for wariness to color their compliance with some sinister agenda you’ve cooked up.
there is no pig word for love but sometimes the quality of what you get from that pig (with the right treats in your pocket) outstrips anything from any other source.
there is no pig word for recycling but that is the Essence of Pig, and no latter-day and well-intentioned yuppie conservationist and hugger of trees can come up with something better than feeding it table scraps and waste and yielding meat (The Other White Meat), dinner for Thanksgiving, Easter, Christmas, for the Breadline supplicants for families assembled in uneasy truce.
there is no pig word for the concept sacrifice because they do not ever think that is the thing they do for other species to continue any more than you.
there is no worm word for recycling, introspection, sacrifice, or love.
9/21/00 (this poem is for Elvira, though she might not like it unequivocally; it takes a dark, unpleasant turn for someone foremost a companion animal, NOT “meat”) Unpublished
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